Camarón y Paco de Lucía

El Camarón de la Isla (December 5, 1950, San Fernando, Cádiz, Spain July 2, 1992, Badalona, Spain) was the stage name of flamenco gypsy singer José Monje Cruz who is sometimes also credited as José Monge Cruz.

His uncle José nicknamed him Camarón (Spanish for "Shrimp") because he was blonde and fair skinned. At the age of eight he began to sing at inns and bus stops with Rancapino to earn money. At sixteen he won first prize at the Festival del Cante Jondo in Mairena de Alcor. El Camarón then went to Madrid with Miguel de los Reyes and in 1968 became a resident artist at the Tablao Torres Bermejas where he remained for twelve years.

There he met Paco de Lucía with whom he recorded nine albums between 1969 and 1977. The two toured extensively together during this period. As Paco de Lucía became more occupied with solo concert commitments, El Camarón worked with one of Paco's students, Tomatito.

In 1976 at the age of 25, Camarón married Dolores Montoya, a Gypsy girl from La Línea de la Concepción whom he nicknamed "La Chispa" (The Spark). At the time La Chispa was only 16. The couple went on to have four children.

Many consider El Camarón to be the single most popular and influential flamenco "cantaor" (singer) of the modern period. Although his work brought criticism from some traditionalists, he was one of the first to feature an electric bass in his songs. This was a turning point in the history of Flamenco music that helped distinguish Nuevo Flamenco.

In 1992 José Monge Crúz died of lung cancer. It was estimated that more than 100,000 people attended his funeral.

Guitar Lesson - The Secret To Improving Your Playing Fast

A core aspect of guitar practice is goal setting.

To put it bluntly ñ you must set goals!

Let me explain why this is so important. Hopefully my explanation will show you just how important, and incredibly powerful, this technique is if you want to be constantly improving as a guitar player.

If you set goals you give your sub-conscious mind something clear to focus on.

When you write down your goal, and commit to doing it, you have set something in motion. By writing it down, youíre making it much more likely to happen.

So, you must set some goals and write them down.

I know this may sound unimportant to you at the moment, especially if you have never used this technique before.

But trust me on thisÖBefore I set goals to work on in my practice I was highly frustrated with the lack of results I was getting.

Goal setting keeps you focused and makes you get what you want from your practice.

Also, if you donít set goals, you donít have anything clear to measure how well youíve progressed. This can mean that you donít progress much at all, or you donít notice your progress.

This can lead to lack of desire to play guitar and lack of desire is a 100% guaranteed route to failure.

Thatís not what you want, is it?

So, in summary:

You must cover each of these points:

ï Your must set long-term and short-term goals.
ï You must read & review your goals before you practice.
ï You must focus on completing these goals while youíre practicing.
ï When you finish practicing, review your goals and tick off the goals you have completed.
ï If you miss a goal, donít worry! Review the goal and decide if it was realistic enough. If it wasnít realistic, change it until it is. If you still feel it is realistic, leave it there and work on it next time.
ï It helps to make your goal time limited. (E.g. Within 30 days) This will help keep you focused and accountable.

Guitar Lessons: Guitar Playing Must Be A Passion

Once I grabbed a instrument my whole lifestyle modified. I think I rested with it the evening I introduced my first new instrument house. Itís a bit awkward to confess, but it is actual. I keep in mind the experience of the instrument in my arms and the form, which advised me of a lady I once old. But seriously it was really like, genuine really like. Then I connected it in and hit those first miracle notesÖ.. Wow did it audio terrible, maybe the toughest disturbance I ever observed in my lifestyle. So began my trip on the globe of songs some 23 decades ago, I discovered my one and only mistress, the instrument. Today I am gladly wedded with 3 children, a actual job, and my instruments. The only factor my spouse has ever been envious over is my instruments. I informed her once I could have lovers or instruments, she said sheíd negotiate for the instruments. Thus is the key to a satisfied wedding. Oh furthermore, the instruments. No two are the same, even the same design, created in the same season, with successive ghd sequential figures, are going to perform and audio different. They have their own individualities, their own experience and their own swift changes in moods. I have Fenderís, Gibsonís, Washburnís, Parkerís, strong systems, empty systems and semi-hollow system instruments. Every weeks time I go to a friendís house, or a regional shop and just collection every instrument I can and perform it for a few moments. It really is an attraction. I think, desire and stay on enjoying instrument 24 Time a day. Is this tale the same as yourís. As comical as this may audio, many of my enjoying buddies say the same factor. You can never have enough instruments, or invest plenty of your energy and energy enjoying your instrument. Do you have a interest for enjoying as well?

Camaron - Rosa Maria

Guitar Lessons - Guitar VibratoEnjoying a instrument without vibrato is like consuming Spanish meals without salsa. Vibrato is one of the most specified methods in interpreting your musical technology design, your own individual exclusive audio. No two gamers have the same vibrato audio. Some perform slowly and large while others perform filter and fast, and thatís the elegance behind investing lots of your energy and energy studying different vibrato methods. Itís like consuming different salsaís whenever you go to your preferred taco take a position. Enough discuss meals, allows discuss strategy. Vibrato is sometimes puzzled with tremolo. Generally it is just a strategy of shaking the sequence distinct and smooth around a main observe. For example if you are playing the 7th worry on the 3rd sequence with your 3rd handy on your worry side you can just force the observe up a little bit and them take it down a little bit. Do this in fast sequence so the over driving impact is a ìwobblyî overall tone around the main observe you are playing. Use your side, arm, and arm to create the motions. Never just shake a handy. Some individuals use a strategy of taking the sequence down towards the earth and then launching returning up. Try this in a wide range of connections and stages of flexing during your vibrato. The secret to success is to be constant and sleek with your movement. If you are playing a slowly doldrums coat then you may want to slowly down and create a large round movement with the sequence, or if you are playing a fast stone coat you may just ad a fast filter vibrato to feature the ultimate observe in a run. It is possible to add vibrato using any handy you perform with, but it is most generally done with the first and third handy on the worry side. Using your first handy is a bit tougher. I usually use my first handy for fast vibratos just like BB Leaders design. I will basically raise my other handy far off the worry panel, media down and just ìvibrateî the sequence as fast and as start as possible. Thatís crazy the perform vibrato is a lot like shake, because thatís actually what you are doing shaking the sequence. When you incorporate vibrato with sequence flexing, harmonics and legato methods you start to find the artist within of you. Enjoying instrument is about finding your inner circulation of creativeness and having the methods to be able to show them. Vibrato is one of the more individual and efficient methods. As with all element of playing instrument you need to try things out with these methods, and most of all have fun!

Enjoying a instrument without vibrato is like consuming Spanish meals without salsa. Vibrato is one of the most specified methods in interpreting your musical technology design, your own individual exclusive audio. No two gamers have the same vibrato audio. Some perform slowly and large while others perform filter and fast, and thatís the elegance behind investing lots of your energy and energy studying different vibrato methods. Itís like consuming different salsaís whenever you go to your preferred taco take a position. Enough discuss meals, allows discuss strategy.

Vibrato is sometimes puzzled with tremolo. Generally it is just a strategy of shaking the sequence distinct and smooth around a main observe. For example if you are playing the 7th worry on the 3rd sequence with your 3rd handy on your worry side you can just force the observe up a little bit and them take it down a little bit. Do this in fast sequence so the over driving impact is a ìwobblyî overall tone around the main observe you are playing. Use your side, arm, and arm to create the motions. Never just shake a handy. Some individuals use a strategy of taking the sequence down towards the earth and then launching returning up.

Try this in a wide range of connections and stages of flexing during your vibrato. The secret to success is to be constant and sleek with your movement. If you are playing a slowly doldrums coat then you may want to slowly down and create a large round movement with the sequence, or if you are playing a fast stone coat you may just ad a fast filter vibrato to feature the ultimate observe in a run.

It is possible to add vibrato using any handy you perform with, but it is most generally done with the first and third handy on the worry side. Using your first handy is a bit tougher. I usually use my first handy for fast vibratos just like BB Leaders design. I will basically raise my other handy far off the worry panel, media down and just ìvibrateî the sequence as fast and as start as possible. Thatís crazy the perform vibrato is a lot like shake, because thatís actually what you are doing shaking the sequence.

When you incorporate vibrato with sequence flexing, harmonics and legato methods you start to find the artist within of you. Enjoying instrument is about finding your inner circulation of creativeness and having the methods to be able to show them. Vibrato is one of the more individual and efficient methods. As with all element of playing instrument you need to try things out with these methods, and most of all have fun!

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